Books to Peel

Peel the author and tap a cover to peel the book

Peel me a Book

Theresa Hak Kyung Cha

"I write in a language that is not my own, as if it could ever belong to me.”

Dictee

Dictee

Peel the Author

A Korean American writer, artist, and filmmaker. Cha’s work blends autobiography, history, myth, and language experiments. Her writing breaks syntax and shuffles tongues — English, French, Korean — to embody the fractured experiences of colonisation, exile, and silence.

She writes in fragments that feel like shards of glass, assembling a body of work that resists easy narrative.

Voice

“Mother, you are hailing us from across the river of memory, in voices not our own.”

Cha’s voice unsettles and multiplies. It is never singular, never linear — it flickers between daughter and mother, history and myth, language and absence. Her fragments resist being smoothed over, forcing the reader to inhabit dislocation.

Tone

fractured · polyphonic · elegiac · defiant

Mood

fragmented · exilic · experimental · haunting

Peel the layers

Voice

“Mother, you are hailing us from across the river of memory, in voices not our own.”

Cha’s voice unsettles and multiplies. It is never singular, never linear — it flickers between daughter and mother, history and myth, language and absence. Her fragments resist being smoothed over, forcing the reader to inhabit dislocation.

Tone

fractured · polyphonic · elegiac · defiant

Mood

fragmented · exilic · experimental · haunting

Peel the the layers

Author's Peel

Peel the author and tap a cover to peel the book

Books to Peel

Peel the author and tap a cover to peel the book

Peel me a Book

Theresa Hak Kyung Cha

"I write in a language that is not my own, as if it could ever belong to me.”

Dictee

Dictee

Peel the Author

A Korean American writer, artist, and filmmaker. Cha’s work blends autobiography, history, myth, and language experiments. Her writing breaks syntax and shuffles tongues — English, French, Korean — to embody the fractured experiences of colonisation, exile, and silence.

She writes in fragments that feel like shards of glass, assembling a body of work that resists easy narrative.

Voice

“Mother, you are hailing us from across the river of memory, in voices not our own.”

Cha’s voice unsettles and multiplies. It is never singular, never linear — it flickers between daughter and mother, history and myth, language and absence. Her fragments resist being smoothed over, forcing the reader to inhabit dislocation.

Tone

fractured · polyphonic · elegiac · defiant

Mood

fragmented · exilic · experimental · haunting

Peel the layers

Voice

“Mother, you are hailing us from across the river of memory, in voices not our own.”

Cha’s voice unsettles and multiplies. It is never singular, never linear — it flickers between daughter and mother, history and myth, language and absence. Her fragments resist being smoothed over, forcing the reader to inhabit dislocation.

Tone

fractured · polyphonic · elegiac · defiant

Mood

fragmented · exilic · experimental · haunting

Peel the the layers

Author's Peel

Peel the author and tap a cover to peel the book