Peel me a Book
Let's Peel
I Am Not Sidney Poitier
Not quite parody, not quite memoir—something deeply weird and sharply precise.
Perfect if you want to laugh while questioning the structure of identity itself.
Synopsis
“I am not Sidney Poitier. I have no idea who I am.”
The novel follows a man literally named Not Sidney Poitier, whose life mirrors (and mocks) the roles of the famous actor. Raised by a billionaire, orphaned early, and subjected to a surreal series of misadventures, Not Sidney moves through a world that sees him only as a reflection, never as himself. Everett turns racial tropes, Bildungsroman structure, and celebrity culture inside out—making space for absurdity, ambiguity, and sharp cultural critique.
You won’t know what genre you’re in, but you’ll know exactly what’s being dismantled.
Mood:
absurd · existential · playful · disorienting
Tone:
ironic · surreal · deadpan · mischievous
It Feels Like
Body:
a smirk paired with a long, uncertain pause
Tempo:
wandering and looping, like a dream retold out of order
Texture:
like sand slipping through a velvet glove
A Little Taste
“I felt like a punchline to a joke I hadn’t heard. Everyone expected me to be someone. I wasn’t. And yet, somehow, I was always playing a role.”
“I was not Sidney Poitier. I was not anyone else either. I was what remained when expectation failed.”
The Aftertaste
A slow spiral from self-awareness to surreal detachment.
Explores the erasure of individuality under cultural projection.
Feels like watching a performance where the actor forgets the lines—and the audience keeps clapping anyway.
Peel With a Drink
To Be Read With a chilled Lambrusco—bubbly, red, and not taken seriously until it hits you. Playful on the tongue, with a sweetness that turns sharp just when you start to trust it. Like a laugh that echoes a little too long. This isn’t the wine you expected. It’s the one that shows up overdressed to a casual dinner and somehow steals the whole evening.
A drink for when the plot makes no sense, the name is a joke, and you’re still oddly moved.
Peel With a Reel
Bamboozled (2000, dir. Spike Lee) — A satire that dares you to laugh, and then dares you to admit you did.
Sorry to Bother You (2018, dir. Boots Riley) — Popcorn optional. Discomfort guaranteed.
Peel with a Beat
Peel me a Book
Or Try:
Kathy Acker
who writes like language itself betrayed her. Her books don’t ask questions—they demand you crawl inside the chaos and see what’s still burning.
Let's Peel
I Am Not Sidney Poitier
Not quite parody, not quite memoir—something deeply weird and sharply precise.
Perfect if you want to laugh while questioning the structure of identity itself.
Synopsis
“I am not Sidney Poitier. I have no idea who I am.”
The novel follows a man literally named Not Sidney Poitier, whose life mirrors (and mocks) the roles of the famous actor. Raised by a billionaire, orphaned early, and subjected to a surreal series of misadventures, Not Sidney moves through a world that sees him only as a reflection, never as himself. Everett turns racial tropes, Bildungsroman structure, and celebrity culture inside out—making space for absurdity, ambiguity, and sharp cultural critique.
You won’t know what genre you’re in, but you’ll know exactly what’s being dismantled.
Mood:
absurd · existential · playful · disorienting
Tone:
ironic · surreal · deadpan · mischievous
It Feels Like
Body:
a smirk paired with a long, uncertain pause
Tempo:
wandering and looping, like a dream retold out of order
Texture:
like sand slipping through a velvet glove
A Little Taste
“I felt like a punchline to a joke I hadn’t heard. Everyone expected me to be someone. I wasn’t. And yet, somehow, I was always playing a role.”
“I was not Sidney Poitier. I was not anyone else either. I was what remained when expectation failed.”
The Aftertaste
A slow spiral from self-awareness to surreal detachment.
Explores the erasure of individuality under cultural projection.
Feels like watching a performance where the actor forgets the lines—and the audience keeps clapping anyway.
Peel With a Drink
To Be Read With a chilled Lambrusco—bubbly, red, and not taken seriously until it hits you. Playful on the tongue, with a sweetness that turns sharp just when you start to trust it. Like a laugh that echoes a little too long. This isn’t the wine you expected. It’s the one that shows up overdressed to a casual dinner and somehow steals the whole evening.
A drink for when the plot makes no sense, the name is a joke, and you’re still oddly moved.
Peel With a Reel
Bamboozled (2000, dir. Spike Lee) — A satire that dares you to laugh, and then dares you to admit you did.
Sorry to Bother You (2018, dir. Boots Riley) — Popcorn optional. Discomfort guaranteed.